Composed of six movements, with an introduction and an epilogue that form a frame and at the same time mark its origin and projection Suite Zero unfolds like a collection of events, an anthology of excerpts punctuated by the dialogue between the human body and the cello.
While respecting the classical form of the suite: prelude, allemande, courante, sarabande minuet, gigue, the fabric of the choreography and music aims to construct an entirely new landscape of references and interactions that disrupt the boundaries of a pre-established order while affecting the rhythmic and temporal perception of the actions. A dialogue between incisions and incidents. From flashes of stubborn being to evanescent moments where time appears to be suspended, from the most distinct, individual features to the attempt to lose oneself in the crowd, to step into the unpredictable, Suite Zero, asserts its nature in the burst of dialogue between the human body and the violin, towards polyphony, towards a proliferation of presences, while disseminating sound sculptures and corporal symmetries.